2014 Fonseca, N. "Impulse Response Upmixing Using Particle Systems" in Proceedings of the 137th Audio Engineering Society Convention, Los Angeles, October 9-12, 2014.Extramuros: making music in a browser-based, language-neutral collaborative live coding environment
2013 Dong, A., J. Conomos, B. Buckley (Eds.) Ecologies of Invention. Sydney University Press: Sydney.
2013 Cont, A., C. Laurenzi, & M. Stroppa. "Chromax, The Other Side of the Spectral Delay Between Signal Processing and Composition" in Proceedings of the 16th International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, September 2-4, 2013.
2013 Fonseca, N. "3D Particle Systems For Audio Applications" in Proceedings of the 16th International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, September 2-4, 2013.
2012 Broadhurst, S. & J. Machon (Eds.). Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Palgrave Macmillan.
2012 James, S. G. "From Autonomous to Performative Control of Timbral Spatialisation" in Proceedings of Australasian Computer Music Conference (ACMC). pp. 31-38.
2012 Vickery, L. " The Evolution of Notational Innovations from the Mobile Score to the Screen Score." Organised Sound, 17(2), 128-136, Cambridge, UK.
2011 Lynch, H. & R. Sazdov. "An Investigation Into Compositional Techniques Utilized For The Three-Dimensional Spatialization Of Electroacoustic Music" in Proceedings of the Electroacoustic Music Studies Conference, New York, June 2011.
2011 Lynch, H. & R. Sazdov. "An Ecologically Valid Experiment for the Comparison of Established Spatial Techniques" in Proceedings of the International Computer Music Conference 2011, pp. 130-134.
2010 Schumacher, M. & J. Bresson. "Spatial Sound Synthesis in Computer-Aided Composition." Organised Sound 15(3): 271-289. Cambridge University Press.
2010 Barreiro, D. "Considerations on the Handling of Space in Multichannel Electroacoustic Works." Organised Sound 15(3): 290-296. Cambridge University Press.
2008 Kendall, G. S. & M. Ardila. "The Artistic Play of Spatial Organization: Spatial Attributes, Scene Attributes and Auditory Spatial Schemata" in Computer Music Modeling and Retrieval: Sense of Sounds Lecture Notes in Computer Science. Richard Kronland-Martinet, Sølvi Ystad and Kristoffer Jensen, editors, LNCS series, Springer Verlag, 2008 pp. 125-138.
2007 Freeman, J. “Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance” Computer Music Journal 32:3, pp. 25-41.
2007 Puckette, M. “On Timbre Stamps and Other Frequency-Domain Filters” in Proceedings of the International Computer Music Conference 2007, pp. 287-290.
2013 Dong, A., J. Conomos, B. Buckley (Eds.) Ecologies of Invention. Sydney University Press: Sydney.
2013 Cont, A., C. Laurenzi, & M. Stroppa. "Chromax, The Other Side of the Spectral Delay Between Signal Processing and Composition" in Proceedings of the 16th International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, September 2-4, 2013.
2013 Fonseca, N. "3D Particle Systems For Audio Applications" in Proceedings of the 16th International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, September 2-4, 2013.
2012 Broadhurst, S. & J. Machon (Eds.). Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Palgrave Macmillan.
2012 James, S. G. "From Autonomous to Performative Control of Timbral Spatialisation" in Proceedings of Australasian Computer Music Conference (ACMC). pp. 31-38.
2012 Vickery, L. " The Evolution of Notational Innovations from the Mobile Score to the Screen Score." Organised Sound, 17(2), 128-136, Cambridge, UK.
2011 Lynch, H. & R. Sazdov. "An Investigation Into Compositional Techniques Utilized For The Three-Dimensional Spatialization Of Electroacoustic Music" in Proceedings of the Electroacoustic Music Studies Conference, New York, June 2011.
2011 Lynch, H. & R. Sazdov. "An Ecologically Valid Experiment for the Comparison of Established Spatial Techniques" in Proceedings of the International Computer Music Conference 2011, pp. 130-134.
2010 Schumacher, M. & J. Bresson. "Spatial Sound Synthesis in Computer-Aided Composition." Organised Sound 15(3): 271-289. Cambridge University Press.
2010 Barreiro, D. "Considerations on the Handling of Space in Multichannel Electroacoustic Works." Organised Sound 15(3): 290-296. Cambridge University Press.
2008 Kendall, G. S. & M. Ardila. "The Artistic Play of Spatial Organization: Spatial Attributes, Scene Attributes and Auditory Spatial Schemata" in Computer Music Modeling and Retrieval: Sense of Sounds Lecture Notes in Computer Science. Richard Kronland-Martinet, Sølvi Ystad and Kristoffer Jensen, editors, LNCS series, Springer Verlag, 2008 pp. 125-138.
2007 Freeman, J. “Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance” Computer Music Journal 32:3, pp. 25-41.
2007 Puckette, M. “On Timbre Stamps and Other Frequency-Domain Filters” in Proceedings of the International Computer Music Conference 2007, pp. 287-290.