2017 Renwick, R. Topologies for Network Music. PhD thesis. Queen's University Belfast.
2015 Eigenfeldt, A. "Generative Music for Live Musicians" in Proceedings of the Sixth International Conference on Computational Creativity June 2015, pp. 142-149.
2014 Fonseca, N. "Impulse Response Upmixing Using Particle Systems" in Proceedings of the 137th Audio Engineering Society Convention, Los Angeles, October 9-12, 2014.Extramuros: making music in a browser-based, language-neutral collaborative live coding environment
2013 Dong, A., J. Conomos, B. Buckley (Eds.) Ecologies of Invention. Sydney University Press: Sydney.
2013 Cont, A., C. Laurenzi, & M. Stroppa. "Chromax, The Other Side of the Spectral Delay Between Signal Processing and Composition" in Proceedings of the 16th International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, September 2-4, 2013.
2013 Fonseca, N. "3D Particle Systems For Audio Applications" in Proceedings of the 16th International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, September 2-4, 2013.
2012 Broadhurst, S. & J. Machon (Eds.). Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Palgrave Macmillan.
2012 James, S. G. "From Autonomous to Performative Control of Timbral Spatialisation" in Proceedings of Australasian Computer Music Conference (ACMC). pp. 31-38.
2012 Vickery, L. " The Evolution of Notational Innovations from the Mobile Score to the Screen Score." Organised Sound, 17(2), 128-136, Cambridge, UK.
2011 Lynch, H. & R. Sazdov. "An Investigation Into Compositional Techniques Utilized For The Three-Dimensional Spatialization Of Electroacoustic Music" in Proceedings of the Electroacoustic Music Studies Conference, New York, June 2011.
2011 Lynch, H. & R. Sazdov. "An Ecologically Valid Experiment for the Comparison of Established Spatial Techniques" in Proceedings of the International Computer Music Conference 2011, pp. 130-134.
2010 Schumacher, M. & J. Bresson. "Spatial Sound Synthesis in Computer-Aided Composition." Organised Sound 15(3): 271-289. Cambridge University Press.
2010 Barreiro, D. "Considerations on the Handling of Space in Multichannel Electroacoustic Works." Organised Sound 15(3): 290-296. Cambridge University Press.
2008 Kendall, G. S. & M. Ardila. "The Artistic Play of Spatial Organization: Spatial Attributes, Scene Attributes and Auditory Spatial Schemata" in Computer Music Modeling and Retrieval: Sense of Sounds Lecture Notes in Computer Science. Richard Kronland-Martinet, Sølvi Ystad and Kristoffer Jensen, editors, LNCS series, Springer Verlag, 2008 pp. 125-138.
2007 Freeman, J. “Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance” Computer Music Journal 32:3, pp. 25-41.
2007 Puckette, M. “On Timbre Stamps and Other Frequency-Domain Filters” in Proceedings of the International Computer Music Conference 2007, pp. 287-290.
2015 Eigenfeldt, A. "Generative Music for Live Musicians" in Proceedings of the Sixth International Conference on Computational Creativity June 2015, pp. 142-149.
2014 Fonseca, N. "Impulse Response Upmixing Using Particle Systems" in Proceedings of the 137th Audio Engineering Society Convention, Los Angeles, October 9-12, 2014.Extramuros: making music in a browser-based, language-neutral collaborative live coding environment
2013 Dong, A., J. Conomos, B. Buckley (Eds.) Ecologies of Invention. Sydney University Press: Sydney.
2013 Cont, A., C. Laurenzi, & M. Stroppa. "Chromax, The Other Side of the Spectral Delay Between Signal Processing and Composition" in Proceedings of the 16th International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, September 2-4, 2013.
2013 Fonseca, N. "3D Particle Systems For Audio Applications" in Proceedings of the 16th International Conference on Digital Audio Effects (DAFx-13), Maynooth, Ireland, September 2-4, 2013.
2012 Broadhurst, S. & J. Machon (Eds.). Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity. Palgrave Macmillan.
2012 James, S. G. "From Autonomous to Performative Control of Timbral Spatialisation" in Proceedings of Australasian Computer Music Conference (ACMC). pp. 31-38.
2012 Vickery, L. " The Evolution of Notational Innovations from the Mobile Score to the Screen Score." Organised Sound, 17(2), 128-136, Cambridge, UK.
2011 Lynch, H. & R. Sazdov. "An Investigation Into Compositional Techniques Utilized For The Three-Dimensional Spatialization Of Electroacoustic Music" in Proceedings of the Electroacoustic Music Studies Conference, New York, June 2011.
2011 Lynch, H. & R. Sazdov. "An Ecologically Valid Experiment for the Comparison of Established Spatial Techniques" in Proceedings of the International Computer Music Conference 2011, pp. 130-134.
2010 Schumacher, M. & J. Bresson. "Spatial Sound Synthesis in Computer-Aided Composition." Organised Sound 15(3): 271-289. Cambridge University Press.
2010 Barreiro, D. "Considerations on the Handling of Space in Multichannel Electroacoustic Works." Organised Sound 15(3): 290-296. Cambridge University Press.
2008 Kendall, G. S. & M. Ardila. "The Artistic Play of Spatial Organization: Spatial Attributes, Scene Attributes and Auditory Spatial Schemata" in Computer Music Modeling and Retrieval: Sense of Sounds Lecture Notes in Computer Science. Richard Kronland-Martinet, Sølvi Ystad and Kristoffer Jensen, editors, LNCS series, Springer Verlag, 2008 pp. 125-138.
2007 Freeman, J. “Extreme Sight-Reading, Mediated Expression, and Audience Participation: Real-Time Music Notation in Live Performance” Computer Music Journal 32:3, pp. 25-41.
2007 Puckette, M. “On Timbre Stamps and Other Frequency-Domain Filters” in Proceedings of the International Computer Music Conference 2007, pp. 287-290.